Tuesday, March 22, 2016

Propaganda Poster Project

From last class:

In the lab you will have 3 separate tasks.

#1: Please view and read the following article by Steven Bradley from "Smashing Magazine" on Design Principles. Identify and explain the following concepts (to be collected at end of class today!):
  • Dominance
  • How to establish dominance
  • The dominant element
  • Focal Point
  • Levels of Dominance: dominant, subdominant, subordinate
  • Visual Hierarchy
  • Inverted Pyramid (handy info for writers!)
#2: Check out one of the poster sites below and view some graphic design/poster examples/models. As you view, look specifically for examples of dominance, focal point, visual hierarchy, size, contrast, color, symmetry, style, grouping, unity, and similarity (see graphic above). See if you can identify these elements working to create an effective graphic design.
#3: When you have completed tasks 1 & 2, please use the graphic organizer (see handouts) to design a poster idea for your propaganda poster project.
Use what you learned today about the principles of design and hierarchy to sketch a mock up of your idea. Include key words or phrases that you would want on your poster. What color, style, contrast, etc. would you want for your poster? Include a 100-200 word description of WHAT YOU WANT to communicate with your peer artist. Use the vocabulary you learned to explain yourself.

How to do this:
  • identify a current, modern-day issue that you feel passionate about
  • What images come to your mind when you think of this issue? (jot these in the note section)
  • What words or phrases do you think of?
  • Can you connect a song, poem, person, celebrity, symbol, or popular culture item to the issue?
  • What colors, shapes, lines, graphic elements (see above) might be connected to this issue?
Then: Create and design! Spend your time in the lab to work on your idea.

By the end of class today, please turn in any missing work, your notes on Steven Bradley's article (see above), and your rough sketch idea/explanation for your poster.

HOMEWORK: None.

Friday, March 18, 2016

Student Photo Series Project; Student Biography Project Samples

Photo Series
Prezi's:
Powerpoints/Google Docs:
  • Isabella
  • Karina
  • Sara
Sample Biographies:
Pick up a sample biography if you'd like. These are just a few student examples to use as models if you are having trouble.

Crash Course in Visual Design

EQ: How do graphic artists capture our attention? How can we use these tools to create propaganda?


While you are not graphic designers, per se, knowing how key visual arts concepts are used (particularly to communicate) is an important part of understanding the media. Before you begin to design and create your propaganda posters, we're going to discuss how visual artists and writers work together (often in ad or marketing departments) to design effective materials.


We will be working with Ms. Lawson's 10th grade class on our propaganda poster designs. So relax, if you don't know how to use Adobe Illustrator or have been dreading this project. You will have help--but you also need to do your part and come up with a "message for the masses".


For discussion: please think about what you know about design. Take a moment, then share what you know with a neighbor. Talk for a minute or two about the main things you remember from other arts classes (probably from middle school) or from your own training or previous projects you have completed that involve graphic design.
Then, take a look at these two images:



What stands out as important? Let's discuss.

In the lab you will have 3 separate tasks.
#1: Please view and read the following article by Steven Bradley from "Smashing Magazine" on Design Principles. Identify and explain the following concepts (to be collected at end of class today!):
  • Dominance
  • How to establish dominance
  • The dominant element
  • Focal Point
  • Levels of Dominance: dominant, subdominant, subordinate
  • Visual Hierarchy
  • Inverted Pyramid (handy info for writers!)
#2: Check out one of the poster sites below and view some graphic design/poster examples/models. As you view, look specifically for examples of dominance, focal point, visual hierarchy, size, contrast, color, symmetry, style, grouping, unity, and similarity (see graphic above). See if you can identify these elements working to create an effective graphic design.
#3: When you have completed tasks 1 & 2, please use the graphic organizer (see handouts) to design a poster idea for your propaganda poster project.
Use what you learned today about the principles of design and hierarchy to sketch a mock up of your idea. Include key words or phrases that you would want on your poster. What color, style, contrast, etc. would you want for your poster?


How to do this:
  • identify a current, modern-day issue that you feel passionate about
  • What images come to your mind when you think of this issue? (jot these in the note section)
  • What words or phrases do you think of?
  • Can you connect a song, poem, person, celebrity, symbol, or popular culture item to the issue?
  • What colors, shapes, lines, graphic elements (see above) might be connected to this issue?
Then: Create and design! Spend your time in the lab to work on your idea.

By the end of class today, please turn in your homework (see previous class), your notes on Steven Bradley's article (see above), and, if you are done, your rough sketch idea for your poster.


HOMEWORK: None.

Wednesday, March 16, 2016

Sonja Livingston: Masterclass

Tomorrow, please go to the main stage theater during 3-4 period. Bring your notebooks/journals.


HOMEWORK: Take a look at Sonja's info page from Writers & Books:


http://wab.org/instructor/sonja-livingston/ (you can find information about her and the book in the side menu on the right.)



Propaganda Poster Examples

With your partner, please examine these posters and discuss what you see. How is the artist/writer persuading you, what's the message, how is the subject treated or represented? Please note: some of these images are disturbing or promote politically incorrect material.

























Biography Projects/Photographic Series Due!

During Period 7:

1. Please complete your drafts of your biography project!
2. Prepare your draft and photographic series to turn in today! If you upload your photos to Flickr, for example, you can send me the URL instead of printing out copies.
3. If you did not complete your homework, please complete that (reprinted from last blog post) and turn in:

Propaganda is the idea or statement (often false or exaggerated/hyperbole...) that are spread culturally in order to help a cause, a political leader or party, a government, or any established institution.

TASK: (watch the films/clips above and try to answer the questions in your journal/notebook. We will discuss them next class as a group). Read the article: "Why It's So Hard to Stop ISIS Propaganda" by Simon Cottee.

Check this website and read about propaganda: United States Holocaust Museum.

HOMEWORK: After viewing the videos above, read the article from the Atlantic and research the United States Holocaust Museum at the link (if you have trouble viewing the site, please check from home--or make sure you're not using Crome). To turn in:
  • Summarize in a paragraph or two the Atlantic article by Simon Cottee: "Why Its So Hard to Stop ISIS Propaganda"
  • How might narrative messages be used as a tool? 
  • Define the concept and history of propaganda?
  • Give an example of propaganda that you have witnessed or experienced.
During Period 8: 

With a partner, view the post above (samples of propaganda posters). Look through the propaganda posters. Study how they present a viewpoint, political, religious, cultural idea, or situation, etc.. Ask/discuss with your partner:
  • When (or where) are these posters typically shown? Can you identify "older" posters from more contemporary ones? What tips you off that something is old or new?
  • What are the basic elements of the posters?
  • What is the message being sent by the poster? 
  • Discuss: what is your right of expression and freedom of speech as a U.S. Citizen?
  • How has propaganda changed? 
  • What events in history have helped shape these posters? 
  • How has war changed since WWI; what similarities and difference exist between works created during WWI, WWII, Vietnam, the Gulf War, the Iraq Wars, PSA announcements, posters from the 21st century, etc.? 
  • How might making art can help other people in distress?
  • Propaganda often uses fear, simplified language (for the masses), and striking or sometimes disturbing images to create anger, fear, horror, disgust, or any other emotion in the viewer. Discuss your reaction as you view these posters. 
Citizens have used propaganda posters to express their views since the birth of our Nation. Amendment I of the U.S. Constitution restricts the government from prohibiting the freedom of speech and peaceful assembly. Using online digital libraries and archives, explore posters of U.S. wars and/or conflicts to develop a sense of how individuals and groups have expressed their points of view throughout our history. With your partner, view these websites and surf the internet for examples of poster art and propaganda. Take note of what you find here to use later in the course. Our next project will involve creating/designing a poster.
HOMEWORK: None. If you have not completed your biography project--it will be late. Complete it as homework!



Monday, March 14, 2016

Biography Project Deadline; Introduction to Propaganda

EQ: Can I complete my biography project? If I am done: What is propaganda, and what are some examples of it from the media, film, tv.?


Please complete your biography project articles by the end of class today. Use the time to write in the lab and complete your work. I can extend the photography portion of your project to Wednesday (next class).
Before you turn in your work, please check the instructions and proofread (see posts below for details). Turn in printed work in the in-box, as usual.


If you finish early, take a look at these cartoons, and ask: What is the idea or statement being spread? How might the message help a specific cause? What biases are inherent in the message?:
And:
Propaganda is the idea or statement (often false or exaggerated/hyperbole...) that are spread culturally in order to help a cause, a political leader or party, a government, or any established institution.

TASK: (watch the films/clips above and try to answer the questions in your journal/notebook. We will discuss them next class as a group). Read the article: "Why It's So Hard to Stop ISIS Propaganda" by Simon Cottee.

Check this website and read about propaganda: United States Holocaust Museum.

HOMEWORK: After viewing the videos above, read the article from the Atlantic and research the United States Holocaust Museum at the link (if you have trouble viewing the site, please check from home--or make sure you're not using Crome). To turn in:

  • Summarize in a paragraph or two the Atlantic article by Simon Cottee: "Why Its So Hard to Stop ISIS Propaganda"
  • How might narrative messages be used as a tool? 
  • Define the concept and history of propaganda?
  • Give an example of propaganda that you have witnessed or experienced.
Hand in your homework next class along with your Photographic Series.

Thursday, March 10, 2016

Biography Project: Day 4

Use the time in lab to work on your biography project. By now, you should be ready to write.

Your project (to be complete) should be:
  • well written
  • entertaining
  • Be at least 750-1,000 words (it can be longer, if you need it to be; it should not really be any shorter than that; that's about 3-5 pages, double spaced) 
  • Your work should have a catchy title
  • You need at least 1 picture or graphic that goes along with your subject (with a short caption)
  • Your project should include your works cited page. Look here for assistance if you need it.
  • Proofread and add better crafted writing after you write the first draft. Prepare your paper to turn in soon (Monday's class, for example).
Remember there is a TASK TWO to your project: Biography Photo Series

Step 1: Choose a subject for a photo series (not the same one you wrote about in your first task). This should be someone you can follow around or someone who you have some normal contact with. It can be a friend, a relative, a community member, etc. I suggest someone that is good (as opposed to the subject in Task One).

Step 2: With your cell phone or a camera, shoot 5 photos that you will arrange to communicate some artistic message to the world. See previous Photo Analysis assignment for assistance.

Step 3: Arrange your photos for class viewing. This could be a Prezi, a Powerpoint, a Padlet, or simply a document with your photos.

Step 4: Give your photo sequence a title.

Step 5: Write a brief 100-300 word explanation of your series. What are you attempting to show and/or comment on through your photography? Most photographic series have a point or comment about society, the subject, or humanity in general. What's your message? Explain it.

Aim to complete your work by end of class Monday. You will have more time next class to work, but don't waste your time! Please do not bother/distract other students if you don't want to work today.

If you finish early, take a look at these cartoons:
Propaganda is the idea or statement (often false or exaggerated/hyperbole...) that are spread culturally in order to help a cause, a political leader or party, a government, or any established institution.

HOMEWORK: None. You should be ready to complete your first draft of your biography project by the end of class Monday. 

Tuesday, March 8, 2016

Biography Project: Day 3; Mary Roach: Journalist/Reporter

Today, if you've done your research and you've chosen your "angle", begin writing your biography draft. If you are not yet done researching, take a little more time today, but by 8th period, please begin writing and planning. You CAN use an outline or any other method to plan your "chapter" for this project! The power lies with YOU.

Remember: just like fiction, your biography needs a catchy hook, a lead-in, a thesis (the purpose of your chapter) that establishes your situation, and should rise with complications and conflicts to reach a climax for the chapter. These conflicts/complications are generally the anecdotes and interesting information that you dug up through research. Resolution and falling action should tie things up that are brought up or questioned in the chapter, but resolution of a person's life is likely to occur at the end of the book.

Biographies are NOT reports. As such, as the author you don't need to cover every detail about the subject's life. Just focus on what needs to be told to tell an effective story in the chapter you are writing. Again, what we're looking for is a good read. Your purpose can be reflective, or philosophical, or entertaining, or any other writing purpose (persuasion, informational, etc.) The bottom line is you should, as the writer, know what you're attempting to do as you write your sentences, paragraphs, and sections of the biography chapter.

For video assistance (or if you need a break) check out these short videos:
HOMEWORK: Read sample models from Mary Roach. Examine her non-fiction style. While these are not biographies per se, they are well written and entertaining. In other words: creative non-fiction. See links above for more information about Mary Roach. Continue working on your biography projects. Remember that there is a photographic requirement for this project! See previous posts for details.

Friday, March 4, 2016

Writing Biographies: Tips/Samples

A writer's goal is always to present information that entices, hooks, or interests his/her reader. Biographies are true or based on true/real stuff. Biographies are meant to inform, but should also entertain a reader. Subjects are complicated. The need to research a subject when writing a biography often gives reporters and writers pause. There's a lot of research and footwork that has to be done before you're ready to put pen to paper.
 
Our goal for this project is to research and write part of a subject's story--and to represent this subject in a fair light. We cannot excuse the horrible things these subjects did, but as we dramatize our biography "chapter", we should take a few bits of advice on how to tackle this difficult problem.
 
1. Prepare to write by conducting your research first.
2. As you research, narrow your focus (or thesis, if you like that word better). In journalism we refer to this as your "angle"--the objective of the chapter you are writing. Ask yourself: what am I trying to do as I write this chapter? Answers may include: entertain, inform, persuade, reflect, connect two ideas, warn, promote an idea, set a tone, describe a setting, describe a situation, tell a story, create suspense, etc.
3. Keep an open mind: don't think you'll understand everything there is to know about your subject. For this project, focus in on a topic, but don't worry about writing a real "chapter of a book" since writing biographies or exposes may take months to years to write correctly. How much is enough? Yes. You  have to decide that based on your writing skills, your attention span, your time constraint, and your ability.
4. When looking for that angle or hook, focus on what's most compelling or interesting. What surprises you, what makes you think, what makes you question, what makes you uncertain, what makes you angry or sad or delighted? If it's the grisliness of a subject's murders, then focus on that. If it's the court case surrounding the issue, then work on that. If it's a burning question about the nature of humanity, go for that...etc.
5. Show, don't tell. Primary writing advice. Use it. Use imagery and clear diction as opposed to vague diction and poor writing. Transport your reader--take us with you as you walk down that dark corridor in the shoes of your subject. Metaphors/similes, figurative language, allusions, diction, etc. can all help build imagery.
6. Put your story in context. What's happening in the world when your subject is doing what your subject is doing? Reconnect with the reader to answer: "Why should I care?"
7. Write a STORY: that means there's a hook or inciting incident to your chapter, rising action, conflict, a crisis perhaps, a climax, a resolution or conclusion to your work.
8. Don't be afraid to research OUTSIDE of the topic. Knowing what's going on around the subject or at the same time the subject is living can be helpful in understanding why he/she did the horrible things he/she did. Biographers report that Stalin, for example, started off strong and well liked--then after WWII, something happened. Knowing how the war affected him might be helpful in understanding the monster. Same thing with Mao. Probably with others as well.
9. At some point you have to say enough is enough. Use the lab time today to wrap up your research so that next class you can begin writing. It IS OKAY to go back to your research if you need to during the writing process. If you can't wait and have a good idea how to start your "chapter" then go ahead and write today. Again, research isn't just something you do once. Writers research and continue to research throughout the writing process!
10. You will succeed at this assignment. Remember that.
 
Things to remember about reporting:
  • Attribute your sources
  • Outlining and other effective note taking strategies should HELP you accomplish your task
  • Direct quotes and facts can be helpful, but don't overuse them
  • Fill in the holes by using transitions, predictions, or general well-thought-out assumptions--but alert your reader that you are filling holes that might exist. Example: Records about Jesus' childhood are scarce, but it is safe to assume he likely learned his father's trade in Carpentry--building things, like houses, nations, worlds. Jesus was a builder of the soul as much as he was a craftsman.
  • Journalists attempt to answer the key questions: who, what, where, when, how, why. Just remember that.
HOMEWORK: Complete your biographies. Use them as models for fine writing. Complete research and decide on an angle for your project. If you did not start writing today, you will want to next class. Prepare for that.

Wednesday, March 2, 2016

Research; Biography Project: Day 2

Essential Question: How do you take effective notes from which to write a biography? How do you represent someone effectively in your writing/article?


Writers spend a lot of time researching their subject matter. If we believe the adage that you should "write what you know" then it makes sense that if you don't know something, you will have to research it in order to write about it.


Students and weak writers tend to skip this step because it's, quite frankly, work. Like rehearsal, it's an important step in the artistic process, but often avoided because it's a rabbit hole--once you start you can spend your entire life investigating it! Here are a few helpful bits of advice for you as you attempt to research your topic for the biography project.


Read these tips. You will be asked to complete a "ticket out the door" dealing with what you learn here.


Tips About Taking Effective Notes During Research:


1. Know what kind of ideas you're looking for.
  • Review the commonly known facts about your topic. You can use Wikipedia here, but be careful--this is just the first step in finding better sources.
  • As you work (read and take notes) make a list of subtopics that you find. Try to find patterns, not just isolated information.
  • Decide to narrow your research by knowing what you're looking for. The further you research and investigate, the clearer this should become. At first, it's all a sea of information--you'll have to swim through a lot of info before knowing what your ANGLE is.
  • Choose a component or angle that interests you. Remember that you are researching to find out information that is not known by everybody, but the best articles/chapters/books, etc. reveal little known information about our topic.
  • Separate facts and commonly agreed-upon details with theories and opinions on the subject. Consult enough sources to confirm the difference.
  • See the instructions from last class--decide what you want to focus on for your "chapter"!
2. Don't write down everything!
  • Your article/essay/chapter, etc. should be an expression of your own thinking--not a patchwork of borrowed ideas! As you research, incorporate evidence and supporting information/facts, etc. into your own words, thoughts, and understanding of the topic.
  • Copy exact words/phrases/quotes only when the ideas are memorably phrased. If it interests you or surprises you--it might be a good quote to share with an audience.
  • Compress your ideas into your own words. Do not make the mistake of copying and pasting. Use your own vocabulary and style--not the style of other writers. To compress ideas, try to paraphrase what you read. Try to do this for every source you consult.
  • Little ideas should hang on bigger ideas. Create an outline if it helps keep you focused and organized.
  • Annotate an article. Print it out, write on it, annotate--then write about it or paraphrase the article. Mostly, you want to use your OWN words to examine/present your topic to your audience.
3. Label and organize your notes
  • Create an outline
  • Use index cards
  • Take notes
  • Add "free writing" or comments about what you read. What do you think? Write about your reaction to the information!
4. Other things:
  • Don't rely exclusively on the Internet! You might (gasp) have to use a library.
  • Use search engines. Google is only one of many search engines. Each one will pull up different hits. Be specific when possible to search for keywords/phrases.
  • Keep a record of what sites you visit and use for your research. You need to cite sources.
  • Be aware of biases. Find sources on the internet that have a clear defined author; be aware of commercially sponsored media--what are they selling you? Use reputable sources.
When you have read and digested this advice, use your time in the lab to work on your research for the Biography Project. For details on the project, see our previous post. Use the handouts (given out last class) for notes, if you need graphic organizers for this task.


Get crackin'!


HOMEWORK: Complete your biography.

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